Current

2007

Erwin Schoonderwaldt and Marcelo M. Wanderley. “Visualization of bowing gestures for feedback: The Hodgson plot.” To be presented at the I-MAestro Workshop 2007, Dec. 2007.

Carmine Cascaito and Marcelo M. Wanderley. “Lessons from Long Term Gestural Controller Users.” To appear in Proceedings of the ENACTIVE'07 Conference, Grenoble, France, Nov. 2007.

Mark T. Marshall, Joseph Malloch and Marcelo M. Wanderley. “Non-Conscious Control of Sound Spatialization.” To appear in Proceedings of the ENACTIVE'07 Conference, Grenoble, France, Nov. 2007.

Manfred Nusseck, Marcelo M. Wanderley, and Erwin Schoonderwaldt. ”Validating Kinematic Displays for the Perception of Musical Performance.” To appear in Proceedings of the ENACTIVE'07 Conference, Grenoble, France, Nov. 2007.

Erwin Schoonderwaldt, Stephen Sinclair and Marcelo M. Wanderley. ”Why Do We Need 5-DOF Force Feedback? The case of Violin Bowing.” To appear in Proceedings of the ENACTIVE'07 Conference, Grenoble, France, Nov. 2007.

Stephen Sinclair and Marcelo M. Wanderley. “Extending DIMPLE: a Rigid Body Simulator for Interactive Control of Sound.” To appear in Proceedings of the ENACTIVE'07 Conference, Grenoble, France, Nov. 2007.

Rodolphe Koehly, Denis Curtil, Theodorus van de Ven and Marcelo M. Wanderley. “Carbon Black Loaded Paper: An Intelligent Substrate for Electronic Sensors Design.” In Proceedings of the IARIGAI 2007 Conference, Grenoble, France.

David M. Birnbaum and Marcelo M. Wanderley. “A systematic approach to musical vibrotactile feedback.” In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark.

Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley. “From controller to sound: Tools for collaborative development of digital musical instruments.” In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark.

Corey Kereliuk, Bertrand Scherrer, Vincent Verfaille, Philippe Depalle and Marcelo M. Wanderley. “Indirect Acquisition of Fingerings of Harmonic Notes on the Flute.” In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark.

Doug Van Nort, David Gauthier, Sha Xin Wei and Marcelo M. Wanderley. “Extraction of Gestural Meaning from a Fabric-Based Instrument.” In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark.

Stephen Sinclair, Marcelo M. Wanderley. “Using PureData to control a haptically-enabled virtual environment.” In Proc. of the Pd Convention'07, Montreal, August 2007.

David Birnbaum, Freida Abtan, Sha Xin Wei and Marcelo M. Wanderley. “Mapping and Dimensionality of a Cloth-based Sound Instrument.” In Proc. of the 4th Sound and Music Computing Conference (SMC'07), Lefkada, Greece, July 2007.

Joseph Malloch and Marcelo M. Wanderley. “The T-Stick: From Musical Interface to Musical Instrument.” In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME07), New York City, USA, pp. 66-69.

Doug Van Nort and Marcelo M. Wanderley. “Control Strategies for Navigation of Complex Sonic Spaces.” In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME07), New York City, USA, pp. 379-382.

Stephen Sinclair and Marcelo M. Wanderley. “Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems.” In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME07), New York City, USA, pp. 209-212.

Avrum Hollinger, Virginia Penhune, Robert Zatorre, Christopher Steele, Marcelo M. Wanderley. “fMRI-Compatible Electronic Controllers.” In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME07), New York City, USA, pp. 246-249.

2006

Alexander R. Jensenius, Rodolphe Koehly, and Marcelo M. Wanderley. “Building Low-Cost Music Controllers.” In R. Kronland-Martinet, T. Voinier, and S. Ystad (Eds.): CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902. Berlin Heidelberg: Springer-Verlag, pp. 123-129, 2006.

Anne-Marie Burns and Marcelo M. Wanderley. “Computer Vision Method for Guitarist Fingering Retrieval.” In Proc. of the 2006 Sound and Music Computing Conference (SMC06), Marseille, France, 2006.

Anne-Marie Burns and Marcelo M. Wanderley. “Visual Methods for the Retrieval of Guitarist Fingering.” In Proc. of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 196-199, 2006.

Beinan Li, Catherine Lai, and Ichiro Fujinaga. “Technical issues in digitization of large online collections of phonograph records.” In Proc. of the Archiving Conference. Ottawa, Canada, 40-4, 2006.

Bradley W. Vines, Carol Krumhansl, Marcelo M. Wanderley, and Daniel Levitin. “Cross-modal Interactions in the Perception of Musical Performance.” Cognition, 101(1): 80-113, 2006.

Bradley W. Vines, Ioana Dalca, and Marcelo M. Wanderley. “Variation in Expressive Physical Gestures of Clarinetists.” Presented at the 2006 International Conference on Music Perception and Cognition - ICMPC06, Bologna, Italy, August, 2006.

Catherine Lai and Ichiro Fujinaga. “Data dictionary: Metadata for phonograph records.” In Proc. of the International Conference on Music Information Retrieval (ISMIR), Victoria, Canada, 2006.

Catherine Lai and Ichiro Fujinaga. “Archiving David Edelberg’s Handel LP Collection: Production workflow and issues in data acquisition.” In Proc. of the Archiving Conference. Ottawa, Canada, 344, 2006.

Catherine Lai and Ichiro Fujinaga. “Metadata data dictionary for analog sound recordings.” In Proc. of the Joint Conference on Digital Libraries. Chapel Hill, NC., 151-5, 2006.

Cory McKay, Daniel McEnnis, and Ichiro Fujinaga. “A large publicly accessible prototype audio database for music research.” In Proc. of the International Conference on Music Information Retrieval (ISMIR), Victoria, Canada, 2006.

Cory McKay and Ichiro Fujinaga. “Style-independent computer-assisted exploratory analysis of large music collections.” Presented at the Annual Meeting of the American Musicological Society and the Society for Music Theory (AMS/SMT), Los Angeles, USA, 2006.

Cory McKay and Ichiro Fujinaga. “Musical genre classification: Is it worth pursuing and how can it be improved?.” In Proc. of the International Conference on Music Information Retrieval (ISMIR), Victoria, Canada, 2006.

Cory McKay and Ichiro Fujinaga. “jSymbolic: A feature extractor for MIDI files.” In Proc. of the International Computer Music Conference (ICMC), New Orleans, USA, 2006.

Daniel McEnnis, Cory McKay, and Ichiro Fujinaga. “Overview of OMEN.” In Proc. of the International Conference on Music Information Retrieval (ISMIR), Victoria, Canada, 2006.

Daniel McEnnis, Cory McKay, and Ichiro Fujinaga. “jAudio: Additions and improvements.” In Proc. of the International Conference on Music Information Retrieval (ISMIR), Victoria, Canada, 2006.

Denis Lebel and Joseph Malloch. “The G-Spring Controller.” In Proc. of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 85-88, 2006.

Doug Van Nort and Depalle Philippe. “A Stochastic State-Space Phase Vocoder for Synthesis of Roughness.” In Proc. of the Int. Conf. on Digital Audio Effects (DAFx-06), Montreal, Quebec, Canada, Sept. 18–20, 2006, pp. 177–180.

Doug Van Nort. “Noise/Music and representation systems.” Organised Sound, 11(2): 173-178, 2006.

Doug van Nort and Marcelo M. Wanderley. “The LoM Mapping Toolbox for Max/MSP/Jitter.” In Proc. of the 2006 International Computer Music Conference (ICMC06), New Orleans, USA, 2006.

Doug van Nort and Marcelo M. Wanderley. “Exploring The Effect of Mapping Trajectories on Musical Performance.” In Proc. of the 2006 Sound and Music Computing Conference (SMC06), Marseille, France, 2006.

Eduardo R. Miranda and Marcelo M. Wanderley. New Digital Musical Instruments: Control and Interaction beyond the Keyboard, A/R Editions, 2006.

Eugenia Costa-Giomi, Charlene Ryan, and Marcelo M. Wanderley. “Expressiveness in Music: The Movements of the Performer and Their Effects on the Listener.” Presented at the 2006 International Conference on Music Percption and Cognition - ICMPC06, Bologna, Italy, August, 2006.

Gary Scavone and Julius O. Smith. “Modeling Acoustic Impedance with Digital Waveguides.” In Proc. of the 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Canada, 2006.

Joseph Malloch, David Birnbaum, Elliot Sinyor, and Marcelo M. Wanderley. “A New Conceptual Framework for Digital Musical Instruments.” In Proc. of the 9th International Conference on Digital Audio Effects (DAFx-06) Montreal, Canada, 2006.

Louise Campbell, Vincent Verfaille, Marie-Julie Chagnon, Oswald Quek, and Marcelo M. Wanderley. “Different Approaches to the Understanding of Expressive Movements of Clarinetists.” Paper presented during the Second Int. Conf. on Music and Gesture, Manchester, July, 2006.

Marcelo M. Wanderley and Bradley Vines. “Ancillary Gestures of Clarinettists”. In A. Gritten and E. King, eds. Music and Gesture: New Perspectives on Theory and Contemporary Practice, Ashgate Publishing, 2006.

Marcelo M. Wanderley. “Instrumentos Musicais Digitais - Gestos, Sensores e Interfaces”. In B. Ilari, ed. Em Busca da Mente Musical. Editora da Universidade Federal do Paraná, 2006.

Marcelo M. Wanderley, Joseph Malloch, David Birnbaum, Elliot Sinyor, and Julien Boissinot. “SensorWiki.org: A Collaborative Resource on Transducers for Researchers and Interface Designers.” In Proc. of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 180-183, 2006.

Mark T. Marshall, Nils Peters, Alexander R. Jensenius, Julien Boissinot, Marcelo M. Wanderley, and Jonas Braasch. “On the Development of a System for Gesture Control of Spatialization.” In Proc. of the 2006 International Computer Music Conference (ICMC06), New Orleans, USA, 2006.

Mark T. Marshall and Marcelo M. Wanderley. “Evaluation of Sensors as Input Devices for Computer Music Interfaces.” In R. Kronland-Martinet, T. Voinier, and S. Ystad (Eds.): CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902. Berlin Heidelberg: Springer-Verlag, pp. 130-139, 2006.

Mark T. Marshall and Marcelo M. Wanderley. “Vibrotactile Feedback in Digital Musical Instruments.” In Proc. of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 226-229, 2006.

Rodolphe Koehly, Denis Curtil and Marcelo M. Wanderley. “Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors.” In Proc. of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 230-233, 2006.

Vincent Verfaille, Catherine Guastavino and Caroline Traube. “An interdisciplinary Approach to Audio Effect Classification.” In Proc. of the Int. Conf. on Digital Audio Effects (DAFx-06), Montreal, Quebec, Canada, Sept. 18–20, 2006, pp. 107–113.

Vincent Verfaille, Julien Boissinot, Philippe Depalle, and Marcelo M. Wanderley. “Ssynth: a Real Time Additive Synthesizer With Flexible Control.” In Proc. of the 2006 International Computer Music Conference (ICMC'06), New Orleans, USA, 2006.

Vincent Verfaille, Marcelo M. Wanderley, and Philippe Depalle. “Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects.” Journal of New Music Research, 35(1):71-93, 2006.

Vincent Verfaille and Marcelo M. Wanderley. “Mapping Strategies for Sound Synthesis, Digital Audio Effects and Sonification of Performer Gestures.” Paper presented during the Acous. Soc. Am. Meeting, Rhodes Island, June 2006.

Vincent Verfaille, Oswald Quek, and Marcelo M. Wanderley. “Sonification of Musician's Ancillary Gestures.” In Proc. of the 2006 International Conference on Auditory Display (ICAD'06), London, England, 2006, pp. 194–7.

Vincent Verfaille. “Des contrôles intelligents pour les effets audionumériques adaptatifs.” In Nayla Farouki (ed.) Les chemins de la découverte, Presses Universitaires de France, 2006, pp. 59–73.

2005

Alexander R. Jensenius, Rolf Godoy, and Marcelo M. Wanderley. “Developing Tools for Studying Musical Gestures within the MAX/MSP/JITTER Environment.” In Proc. of the 2005 International Computer Music Conference, Barcelona, Spain, 2005.

Andrey R. da Silva, Marcelo M. Wanderley, and Gary Scavone. “On the Use of Flute Air Jet as a Musical Control Variable.” Proc. of the 2005 International Conference on New Interfaces for Musical Expression - NIME05, Vancouver, Canada, 2005.

Carmine Casciato, Alexander R. Jensenius, and Marcelo M. Wanderley. “Studying Free Dance Movements to Music.” Presented at ESCOM 2005 Performance Matters! Conference, Porto, Portugal, September 2005 (Abstract).

Catherine Lai, Ichiro Fujinaga, and Cynthia Leive. “Metadata for phonograph records: Facilitating new forms of use and access to analog sound recordings.” In Proc. of the Joint Conference on Digital Libraries (JCDL), Denver, Colorado, pp. 385, 2005.

Catherine Lai, Ichiro Fujinaga, and Cynthia Leive. “The challenges in developing digital collections of phonograph records.” In Proc. of the Joint Conference on Digital Libraries (JCDL), Denver, CO., pp. 332—3, 2005.

Catherine Lai, Beinan Li, and Ichiro Fujinaga. “Preservation digitization of David Edelberg's Handel LP collection: A pilot project.” In Proc. of the International Conference on Music Information Retrieval (ISMIR), London, UK, pp. 570—5, 2005.

Cory McKay and Ichiro Fujinaga. “Automatic Music Classification and the Importance of Instrument Identification.” In Proc. of the Conference on Interdisciplinary Musicology, Montreal, Canada, 2005.

Cory McKay. “Approaches to Overcoming Problems in Interactive Musical Performance Systems.” In Proc. of the McGill Graduate Students Society Symposium, Montreal, Canada, 2005.

Cory McKay, Daniel McEnnis, Rebecca Fiebrink, and Ichiro Fujinaga. “ACE: A general-purpose classification ensemble optimization framework.” In Proc. of the International Computer Music Conference (ICMC), Barcelona, Spain, pp. 161­4, 2005.

Cory McKay and Ichiro Fujinaga. “The Bodhidharma system and the results of the MIREX 2005 symbolic genre classification contest.” Presented at the International Conference on Music Information Retrieval (ISMIR), London, UK, 2005.

Cory McKay, Rebecca Fiebrink, Daniel McEnnis, Beinan Li, and Ichiro Fujinaga. “ACE: A framework for optimizing music classification.” In Proc. of the International Conference on Music Information Retrieval (ISMIR), London, UK, pp. 42­9, 2005.

Daniel McEnnis, Cory McKay, Ichiro Fujinaga, and Philippe Depalle. “jAudio: A feature extraction library.” In Proc. of the International Conference on Music Information Retrieval (ISMIR), London, UK, pp. 600­3, 2005

David Birnbaum, Rebecca Fiebrink, Joseph Malloch, and Marcelo M. Wanderley. “Towards a Dimension Space for Musical Artifacts.” In Proc. of the 2005 International Conference on New Interfaces for Musical Expression - NIME05, Vancouver, Canada, 2005.

Elliot Sinyor, Cory McKay, Rebecca Fiebrink, Daniel McEnnis, and Ichiro Fujinaga. “Beatbox classification using ACE.” In Proc. of the International Conference on Music Information Retrieval (ISMIR), London, UK, pp. 672­5, 2005.

Elliot Sinyor and Marcelo M. Wanderley. “Gyrotyre: A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel.” In Proc. of the 2005 International Conference on New Interfaces for Musical Expression - NIME05, Vancouver, Canada, 2005.

Gary P. Scavone and Perry R. Cook. “RtMidi, RtAudio, and a Synthesis ToolKit (STK) Update.” In Proc. of the 2005 International Computer Music Conference, Barcelona, Spain, 2005.

Gary P. Scavone and Andrey R. da Silva. “Frequency Content of Breath Pressure and Implications for Use in Control.” In Proc. of the 2005 International Conference on New Interfaces for Musical Expression - NIME05, Vancouver, Canada, 2005.

Marcelo M. Wanderley, Bradley Vines, Neil Middleton, Cory McKay, and Wesley Hatch. “The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field.” Journal of New Music Research, vol 34, number 1, 2005.

Mondher Ayari and Stephen McAdams. “Polysemie et multidimensionnalite du phenomene de l'improvisation instrumentale arabe”. In F. Madurell (Ed.), Les pratiques d'Žcoute individuelles, UniversitŽ de Paris-Sorbonne, 2005.

Paul Kolesnik and Marcelo M. Wanderley. “Implementation of the Discrete Hidden Markov Model in Max / MSP Environment.” In Proc. of the FLAIRS 2005 Conference

Rebecca Fiebrink, Cory McKay, and Ichiro Fujinaga. “Combining D2K and JGAP for efficient feature weighting for classification tasks in music information retrieval.” In Proc. of the International Conference on Music Information Retrieval (ISMIR), London, UK, pp. 510­3, 2005.

Sandrine Vieillard, Stephen McAdams, Emmanuel Bigand and Roger Reynolds. “Creation et perception d'une oeuvre de musique contemporaine: The Angel of Death de Roger Reynolds.” In M. Borillo (Ed.), Approches cognitives de la crŽation artistique, pp. 129-153, Bruxelles, Pierre Mardaga, 2005.

Shlomo Dubnov, Stephen McAdams and Roger Reynolds. “Structural and Affective Aspects of Music from Statistical Audio Signal Analysis.” Journal of the American Society of Information Science and Technology, (in press), 2005.

Vincent Verfaille, Catherine Guastavino and Philippe Depalle. “Perceptual Evaluation of Vibrato Models.” In Proc. of the Conference on Interdisciplinary Musicology, Montreal, Canada, 2005.

2004

Adam Tindale, Ajay Kapur, George Tzanetakis, and Ichiro Fujinaga. “Retrieval of Percussion Gestures using Timbre Classification Techniques.” In Proc. of the 5th International Conference on Music Information Retrieval (ISMIR 2004), Barcelona, Spain, October 10-14, 2004.

Adam Tindale, Ajay Kapur, and Ichiro Fujinaga. “Towards Timbre Recognition of Percussive Sounds.” In Proc. of the 2004 International Computer Music Conference (ICMC2004), Miami, Fl., 2004.

Barbara Tillmann and Stephen McAdams. “Apprentissage implicite en modalitè auditive : Statistique et acoustique.” In Revue de Neuropsychologie, Vol. 14, pp. 147-167, 2004.

Barbara Tillmann and Stephen McAdams. “Implicit Learning of Musical Timbre Sequences: Statistical Regularities Confronted with Acoustical (Dis)similarities.” In Journal of Experimental Psychology: Learning, Memory and Cognition, Vol. 30, pp. 1131-1142, 2004.

Bénédicte Poulin-Charronnat, Emmanuel Bigand, Philippe Lalitte, François Madurell, Sandrine Vieillard and Stephen McAdams. “Effects of a Change in Instrumentation on the Recognition of Musical Materials”. In Music Perception, 22(2):239-263, 2004.

Caroline Traube and Philippe Depalle. “Phonetic Gestures Underlying Guitar Timbre Description.” In Proc. of International Conference on Music Perception and Cognition Evanston, Illinois, U.S.A., August 3-7, 2004.

Caroline Traube and Philippe Depalle. “Timbral Analogies Between Vowels and Plucked String Tones.” In Proc. of International Conference on Acoustics, Speech, and Signal Processing Montreal, Quebec, Canada, May 17-21, 2004.

Caroline Traube, Peter McCutcheon, and Philippe Depalle. “Verbal Descriptors for the Timbre of the Classical Guitar.” In Proc. of Conference on Interdisciplinary Musicology, Graz, Austria, April 15-18, 2004.

Cory McKay. “Automatic Genre Classification as a Study of the Viability of High-level Features for Music Classification.” In Proc. of the 2004 International Computer Music Conference (ICMC2004), Miami, Fl., pp. 367-70, 2004.

Cory McKay and Ichiro Fujinaga. “Automatic Genre Classification Using Large High-Level Musical Feature Sets.” In Proc. of the 5th International Conference on Music Information Retrieval (ISMIR 2004), Barcelona, Spain, October 10-14, pp. 525-30, 2004.

Cory McKay. Issues in Automatic musical genre classification. In Proc. of the McGill Graduate Students Society Symposium, 2004.

Daniel Pressnitzer, Alain de Cheveigné, Stephen McAdams and Lionel Collet (Eds.). “Auditory Signal Processing: Psychophysics, Physiology and Modeling.” New York: Springer-Verlag, 2004.

Diana Young and Ichiro Fujinaga. “Aobachi: A new interface for Japanese drumming.” In Proc. of the 2004 International Conference on New Interfaces for Musical Expression - NIME, Hamamatsu, Japan, June 3-5, 2004.

Doug Van Nort, Marcelo M. Wanderley and Philippe Depalle. “On the Choice of Mappings based on Geometrical Properties.” Proc. of the 2004 International Conference on New Interfaces for Musical Expression - NIME, Hamamatsu, Japan, June 3-5, 2004.

Francois Thibault and Philippe Depalle. “Adaptive Processing of Singing Voice Timbre.” In Proc. of the IEEE Canadian Conference on Electrical and Computer Engineering (CCECE 2004), The Niagara Falls, Ontario, Canada, May 2-5, 2004.

Gary Scavone and Marcelo Wanderley. “The Music Technology Program at McGill University.” In Proc. of the 2004 International Computer Music Conference (ICMC2004), Miami, Fl., 2004.

Guillaume Lemaitre, Patrick Susini, Suzanne Winsberg and Stephen McAdams. “A Method to Assess the Ecological Validity of Laboratory-Recorded Car Horn Sounds.” In Proc. of the SFA/DAGA Conference, Strasbourg, Société Française d'Acoustique, Paris [CD-ROM]. 2004.

Ian Knopke. “AROOOGA: An Audio Search Engine for the World Wide Web.” In Proc. of the 2004 International Computer Music Conference (ICMC2004), Miami, Fl., 2004.

Ian Knopke. “Sound, Music and Textual Associations on the World Wide Web.” In Proc. of the 5th International Conference on Music Information Retrieval (ISMIR 2004), Barcelona, Spain, October 10-14, 2004.

Ichiro Fujinaga and Susan Weiss. “Music.” In Blackwell Companion to Digital Humanities, eds. S. Schreibman, R. Siemens, and J. Unsworth, Oxford: Blackwell Publishing, pp. 97-107, 2004.

Ichiro Fujinaga. “Staff detection and removal.” In Visual Perception of Music Notation, ed. S. George, Hershey, PA: Idea Group Inc, pp. 1-39, 2004.

Manuel Peinado, Bruno Herbelin, Marcelo Wanderley, Benoit Le Callennec, Ronan Boulic, Daniel Thalmann. “Towards Configurable Motion Capture with Prioritized Inverse Kinematics.” In Proc. of the Third International Workshop on Virtual Rehabilitation (IWVR2004), EPFL, Lausanne, Switzerland, September 16 and 17, 2004.

Marcelo M. Wanderley and Philippe Depalle. “Gestural Control of Sound Synthesis.” Proc. of the IEEE, vol. 92, No. 4 (April), Special Issue on Engineering and Music - Supervisory Control and Auditory Communication, G. Johannsen, Ed., pp. 632-644, 2004.

Mark Zadel and Ichiro Fujinaga. “Web Services for Music Information Retrieval.” In Proc. of the 5th International Conference on Music Information Retrieval (ISMIR 2004), Barcelona, Spain, October 10-14, 2004.

Michael Droettboom and Ichiro Fujinaga. “Micro-level Groundtruthing Environment for OMR.” In Proc. of the 5th International Conference on Music Information Retrieval (ISMIR 2004), Barcelona, Spain, October 10-14, 2004.

Paul Kolesnik and Marcelo Wanderley. “Recognition, Analysis and Performance with Expressive Conducting Gestures.” In Proc. of the 2004 International Computer Music Conference (ICMC2004), Miami, Fl., 2004.

Patrick Susini and Stephen McAdams. “Temporal Asymmetry in Loudness.” In Proc. of the SFA/DAGA Conference, Strasbourg, Société Française d'Acoustique, Paris [CD-ROM], 2004.

Patrick Susini, Stephen McAdams, Suzanne Winsberg, Ivan Perry, Sandrine Vieillard and Xavier Rodet. “Characterizing the Sound Quality of Air-conditiong Noise.” Applied Acoustics, Vol. 65, pp. 763-790, 2004.

Perry Cook and Gary Scavone. “The Synthesis ToolKit (STK) in C++.” in Audio Anecdotes: A Cookbook of Audio Algorithms and Techniques, edited by Ken Greenbaum, A.K. Peters, 2004.

Philippe Lalitte, Emmanuel Bigand, Bènèdicte Poulin-Charronnat, Stephen McAdams, Charles Delbè and Daniel D'Adamo. “The perceptual structure of thematic materials in The Angel of Death.” In Music Perception, 22(2):265-296, 2004.

Stephen McAdams, Bradley Vines, Sandrine Vieillard, Bennett Smith and Roger Reynolds. “Influences of Large-Scale Form on Continuous Ratings in Response to a Contemporary Piece in a Live Concert Setting.” In Music Perception, 22(2):297-350, 2004.

Stephen McAdams, Antoine Chaigne and Vincent Roussarie. “The Psychomechanics of Simple Sound Sources: Material Properties of Impacted Bars.” Journal of the Acoustical Society of America, Vol. 115, pp. 1306-1320, 2004.

Stephen McAdams, Philippe Depalle and Eric Clarke. “Analyzing Musical Sound”. In E. Clarke and N. Cook (Eds.), Empirical Musicology: Aims, Methods, Prospects, Oxford University Press, New York, pp. 157-196, 2004.

Stephen McAdams, Sandrine Vieillard, Olivier Houix and Roger Reynolds. “Perception of Musical Similarity among Contemporary Thematic Materials in Two Instrumentations.” In Music Perception, 22(2):207-237, 2004.

Stephen McAdams and Marc Battier (Eds.). “Perception and Creation of a Contemporary Musical Work: The Angel of Death by Roger Reynolds.” Paris, Ircam-Centre Pompidou [E-book], 2004.

Stephen McAdams. “Problem-solving strategies in music composition: A case study.” Music Perception, 21(3):391-430, 2004.

Vincent Verfaille and Philippe Depalle. “Adaptive Effects Based on STFT, Using a Source-Filter Model.” In Proc. of the 7th International Conference on Digital Audio Effects (DAFx'04), Naples, Italy, 2004.

2003

Andy Hunt, Marcelo M. Wanderley, and Matt Paradis. “The Importance of Parameter Mapping in Electronic Instrument Design.” Journal of New Music Research, 32(4):429-440, 2003.

Brad Vines, Marcelo M. Wanderley, Carol Krumhansl, Regina Nuzzo, and Daniel Levitin. “Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?”, In A. Camurri and G. Volpe (eds.) Gesture-Based Communication in Human-Computer Interaction - 5th International Gesture Workshop, GW 2003, Genova, Italy. Springer-Verlag, 2004, pp. 468-478.

Caroline Traube, Philippe Depalle and Marcelo M. Wanderley. “Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information.” In Proc. of the 2003 International Conference on New Interfaces for Musical Expression - NIME03, Montreal, Canada, pp. 42-47.

Caroline Traube and Philippe Depalle. “Deriving the Plucking Point Location along a Guitar String from the Least-square Estimation of a Comb Filter Delay.” In Proc. of CCECE 2003, Canadian Conference on Electrical and Computer Engineering, Montreal, Canada, 4-7 May 2003.

Gary P. Scavone. “Modeling Vocal-Tract Influence in Reed Wind Instruments.” Proc. of the 2003 Stockholm Music Acoustics Conference, Stockholm, Sweden, pp. 291-294.

Gary P. Scavone. “THE PIPE: Explorations with Breath Control.” In Proc. of the 2003 Conference on New Instruments for Musical Expression (NIME-03), Montreal, Canada, pp. 15-18.

Jenn Riley and Ichiro Fujinaga. “Recommended best practices for digital image capture of musical scores.” In OCLC Systems and Services, 19(2):62-9, 2003.

2002

Andy Hunt and Marcelo M. Wanderley. “Mapping Performer Parameters to Synthesis Engines.” Organised Sound, vol. 7 number 2, August 2002, 97-108.

Andy Hunt, Marcelo M. Wanderley, and Matt Paradis. “The Importance of Parameter Mapping in Electronic Instrument Design.” In Proc. of the 2002 International Conference on New Interfaces for Musical Expression (NIME-02), Dublin, Ireland, May 2002, pp. 149-154.

Francois Thibault and Philippe Depalle. “OLW: An Extension to MSP for the Implementation of Overlap-Windowing Techniques.” In Proc. of the 2002 International Computer Music Conference, Goteborg, Sweden.

Karl MacMillan, Michael Droettboom, and Ichiro Fujinaga. “Gamera: Optical Music Recognition in a New Shell.” In Proc. of the 2002 International Computer Music Conference, Goteborg, Sweden.

Marcelo M. Wanderley - Guest editor. Mapping Strategies in Real-time Computer Music. Organised Sound vol. 7, number 2, August 2002.

Marcelo M. Wanderley and Nicola Orio. “Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI”. Computer Music Journal, 26(3), Fall 2002, pp. 62-76. Marcelo M. Wanderley. “Quantitative Analysis of Non-Obvious Performer Gestures.” In I. Wachsmuth and T. Sowa (eds.) Gesture and Sign Language in Human-Computer Interaction. Springer Verlag, 2002, pp. 241-253.

2001

Geoff Martin, Philippe Depalle, Wieslaw Woszczyk, Jason Corey, and Rene Quesnel. “A Hybrid Model For Simulating Diffused First Reflections In Two-Dimensional Synthetic Acoustic Environments.” In Proc. of the AES 19th International Conference on Surround Sound. Schloss Elmau, Germany, June 21-24, 2001.

Marcelo M. Wanderley and Philippe Depalle. “Gesturally Controlled Digital Audio Effects.” In Proc. of the COST-6 Conference on Digital Audio Effects (DAFx-01). Limerick, Ireland - December 2001, pp. 165-169.

Marcelo M. Wanderley and Thomas Helie. “Detailed Study on the Expressive Movements of Acoustic Instrument Performers with Applications to Human-Computer Interaction in Complex Multiparametric Contexts.” In 3rd Conference on Sensorimotor Controls in Men and Machines. Marseille, France - October 2001.

Marcelo M. Wanderley. “Gestural Control of Music.” in International Workshop Human Supervision and Control in Engineering and Music. Kassel, Germany - September 2001, pp. 101-130.

1999

Marcelo M. Wanderley and Philippe Depalle. “Contrôle gestuel de la synthèse sonore.” In H. Vinet and F. Delalande (eds.) Interfaces homme-machine et création musicale. Editions Hermès, 1999.

Stephane Rossignol, Philippe Depalle, Joel Soumagne, Xavier Rodet, and Jean-Luc Colette. 'Vibrato: Detection, estimation, extraction, modification.“ In Proc. of the COST-G6 Workshop on Digital Audio Effects (DAFx-99). Trondheim, Norway, December 9-11, 1999.

Stephane Rossignol, Xavier Rodet, Joel Soumagne, Jean-Luc Colette, and Philippe Depalle. “Automatic Characterisation of Musical Signals: Feature Extraction and Temporal Segmentation.” Journal of New Music Research Vol. 28, N. 4, December 1999, pp 281-295.

Suzanne Winsberg and Philippe Depalle. “Applications of Principal Differential Analysis to Data Reduction and Extraction of Musical Features of Sound.” In Proc. of International Computer Music Conference (ICMC'99). Beijing, China, October 22-28, 1999.

Other Publications

Publications by Former Music Technology Members

Zack Settel, Bruce Pennycook, and Wieslaw Woszczyk. “Networking Audio and Music using Internet 2…” Journal of the Audio Engineering Society, 1999 vol 47, no. 4. pp.300-310; 1999

Zack Settel and Cort Lippe. “Low-dimensional audio-rate contol of FFT-based processing.” In Proc. of the 7th Biennial Symposium on the Arts and Technology. Connecticut College.

Zack Settel. “Real-time Frequency-Domain Audio Signal Processing on the Desktop using MSP.” in Proc. of the 1998 International Computer Music Conference. Ann Arbor: International Computer Music Association, 1998.

Zack Settel, Bruce Pennycook and Wieslaw Woszczyk. Networking Audio and Music using Internet2 and Next-Generation Internet Capabilities. White paper, produced by the Audio Engineering Society (AES). Technology report# TC-NAS 98/1, Septemeber 1998.

Zack Settel and Geoff Martin, “Sound Source Localization in Multimedia Applications,” Journal for the Acoustical Society of America, vol. 104, no. 3, pt. 2 (September 1998).

Bruce Pennycook “Live Electroacoustic Music: Old problems, New Solutions.” Journal of New Music Research. vol. 26, no. 1 (Mar 1997), p. 70-95.

Tang-Chun Li, Tools for Conducting Seminars on MBone.published electronically, 1996.

Mark Ballora. “Current Stereophonic Developments and their Musical Implications.” in Proc. of the 4th International Conference of Music Perception and Cognition. Montreal, August 1996.

Jason D. Vantomme, “Music, Mind and Machine: Studies in Computer Music, Music Cognition and Artificial Intelligence.” Computer Music Journalvol. 19, no. 2 (summer 1995): p. 107-110.

Jason D. Vantomme, “Flora.” Computer Music Journalvol. 18, no. 3 (fall 1994) p. 89-91.

Jason D. Vantomme, “Understanding Music with AI: Perspectives on Music Cognition” Computer Music Journalvol. 18, no. 1 (spring 1994) p. 81-83.

Bruce Pennycook. “La musique électroacoustique en concert: Vieux problèmes, nouvelles solutions.” (Electroacoustic Music in Concert: Old Problems, New Solutions). Circuit: Revue nord-américaine de musique du XXè- sièclevol. 4, no. 1-2 (1993): p. 93-102.

Bruce Pennycook, Dale R. Stammen and Debbie Reynolds. “Toward a Computer Model of a Jazz Improviser.” in Proc. of the 1993 International Computer Music Conference,p. 228-231. San Francisco: International Computer Music Association, 1993.

Miller Puckette and Zack Settel. “Nonobvious Roles for Electronics in Performance Enhancement.” In Proc. of the 1993 International Computer Music Conference,p. 134-137. San Francisco: International Computer Music Association, 1993.

Zack Settel, Terry Holton, and David Zicarelli. “Remote Control Applications using 'Smart Controllers' in Versatile Hardware Configurations.” in Proc. of the 1993 International Computer Music Conference,p. 156-159. San Francisco: International Computer Music Association, 1993.

Zack Settel and Cort Lippe. “FFT-based Resynthesis for Real-time Transformation of Timbre.” In Atti del X Colloquio di Informatica Musicale, p. 214-224. Milano: Associazione di Informatica Musicale Italiana, 1993.

Gilbert A. Soulodre and Dale R. Stammen. “A Binaural Recording and Playback System for the Reproduction of Virtual Concert Halls.” in Proc. of the 1993 International Computer Music Conference,p. 114-117. San Francisco: International Computer Music Association, 1993.

Dale R. Stammen and Bruce Pennycook. “Real-time Recognition of Melodic Fragments using the Dynamic Timewarp Algorithm.” in Proc. of the 1993 International Computer Music Conference,p. 232-235. San Francisco: International Computer Music Association, 1993.

Ichiro Fujinaga, Bo H. Alphonce, Bruce Pennycook and Glendon R. Diener. “Interactive Optical Music Recognition.” In Proc.: International Computer Music Conference, San Jose, California, October 14-18, 1992,p. 117-120. San Francisco: International Computer Music Association, 1992.

Bruce Pennycook “Composers and audiences: New relationships in the Technological Age.” in Companion to Contemporary Musical Thought, p. 555-564. London: Routledge, 1992.

Sean Terriah, Justine Sergent, Eric Zuck, and Brennan MacDonald. “Distributed Neural Network Underlying Musical Sight-reading and Keyboard Performance.” Sciencevol. 257, no. 5066 (July 1992): p. 106-109.

Ichiro Fujinaga, Bo H. Alphonce, Bruce Pennycook and Kharim Hogan. “Optical Music Recognition: Progress Report.” in Proc.: International Computer Music Conference, Montreal, 1991, p. 66-73.

Ichiro Fujinaga, Bruce Pennycook and Bo Alphonce. “The Optical Music Recognition Project.” Computers in Music Researchvol. 3 (fall 1991): p. 139-142.

Cort Lippe, Zack Settel, Miller Puckette and Eric Lindemann. “The IRCAM Musical Workstation: A Prototyping and Production Tool for Real-time Computer Music.” In IX Colloquium on Musical Informatics/IX Colloquio di Informatica Musicale,p. 210-214. Genova: Associazione di Informatica Musicale Italiana, 1991.

Bruce Pennycook and Chris Lea. “A Parallel Processing Development system for MAX.” in Proc.: International Computer Music Conference, Montreal, 1991, p. 229-233. Montreal: McGill U., 1991.

Laurie Radford. “Pacific Rim.” Contact (Communauté électroacoustique canadienne/Canadian Electroacoustic Community) vol. 5 no. 1 (Oct. 1991): p. 29-31.

Colin Banger and Bruce W. Pennycook. “Gcomp: Graphic Control of Mixing and Processing.” Computer Music Journal vol. VII/4 (winter 1983): p. 33-39.

Ichiro Fujinaga, Bo Alphonce and Bruce Pennycook. “Issues in the Design of an Optical Music Recognition System.” In Proc.: 1989 International Computer Music Conference. San Francisco, CA., p. 113-116. Computer Music Association,1989.

John Roeder and Keith Hamel. “A General-purpose Object-oriented System for Musical Graphics.” in Proc.: 1989 International Computer Music Conference, p. 260-263. San Francisco, CA: Computer Music Association, 1989.

Bruce Pennycook. “Language and Resources: A New Paradox.” In The Language of Electroacoustic Music,119-37 London: Macmillan, 1986.

Bruce Pennycook. “Canadian Music of the Twentieth Century.” Canadian University Music Reviewvol. 2 (1981): p. 233-236.

Bruce Pennycook, “Speeches for Dr. Frankenstein: an Orchestral Approach to Music Synthesis.” Canadian University Music Review/Revue de Musique des Universites Canadiennes, vol. IV (1983): 196-203.

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