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-====== ​Current ​======+====== ​See Publications on the following laboratory websites ​======
  
-  * [[http://​www.music.mcgill.ca/​musictech/spcl/​publications|Publications from the Sound Processing and Control Laboratory (SPCL)]] +  * [[http://​www.music.mcgill.ca/​caml/doku.php?id=publications|Publications from the Computational Acoustic Modeling Laboratory (CAML)]]
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-  * [[http://​www.music.mcgill.ca/​musictech/​caml/​publications.html|Publications from the Computational Acoustic Modeling Laboratory (CAML)]]+
  
   * [[http://​www.idmil.org/​publications|Publications from the Input Devices and Music Interaction Laboratory (IDMIL)]]   * [[http://​www.idmil.org/​publications|Publications from the Input Devices and Music Interaction Laboratory (IDMIL)]]
  
-  * [[http://​ddmal.music.mcgill.ca/​publication|Publications from the Distributed Digital Music Archives and Libraries Laboratory (DDMAL)]] +  * [[http://​ddmal.music.mcgill.ca/​publications/​|Publications from the Distributed Digital Music Archives and Libraries Laboratory (DDMAL)]]
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-====== 2007 ====== +
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-** Erwin Schoonderwaldt and Marcelo M. Wanderley.** "​Visualization of bowing gestures for feedback: The Hodgson plot." To be presented at the I-MAestro Workshop 2007, Dec. 2007. +
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-**Carmine Cascaito and Marcelo M. Wanderley.** "​Lessons from Long Term Gestural Controller Users."​ To appear in Proceedings of the ENACTIVE'​07 Conference, Grenoble, France, Nov. 2007. +
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-**Mark T. Marshall, Joseph Malloch and Marcelo M. Wanderley.** "​Non-Conscious Control of Sound Spatialization."​ To appear in Proceedings of the ENACTIVE'​07 Conference, Grenoble, France, Nov. 2007. +
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-**Manfred Nusseck, Marcelo M. Wanderley, and Erwin Schoonderwaldt.** ”Validating Kinematic Displays for the Perception of Musical Performance.” To appear in Proceedings of the ENACTIVE'​07 Conference, Grenoble, France, Nov. 2007. +
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-**Erwin Schoonderwaldt,​ Stephen Sinclair and Marcelo M. Wanderley.** ”Why Do We Need 5-DOF Force Feedback? The case of Violin Bowing.” To appear in Proceedings of the ENACTIVE'​07 Conference, Grenoble, France, Nov. 2007. +
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-**Stephen Sinclair and Marcelo M. Wanderley.** “Extending DIMPLE: a Rigid Body Simulator for Interactive Control of Sound.” To appear in Proceedings of the ENACTIVE'​07 Conference, Grenoble, France, Nov. 2007. +
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-**Rodolphe Koehly, Denis Curtil, Theodorus van de Ven and Marcelo M. Wanderley.** "​Carbon Black Loaded Paper: An Intelligent Substrate for Electronic Sensors Design."​ In Proceedings of the IARIGAI 2007 Conference, Grenoble, France. +
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-**David M. Birnbaum and Marcelo M. Wanderley.** "A systematic approach to musical vibrotactile feedback."​ In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark. +
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-**Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley.** "From controller to sound: Tools for collaborative development of digital musical instruments."​ In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark. +
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-**Corey Kereliuk, Bertrand Scherrer, Vincent Verfaille, Philippe Depalle and Marcelo M. Wanderley.** "​Indirect Acquisition of Fingerings of Harmonic Notes on the Flute."​ In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark. +
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-**Doug Van Nort, David Gauthier, Sha Xin Wei and Marcelo M. Wanderley.** "​Extraction of Gestural Meaning from a Fabric-Based Instrument."​ In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark. +
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-**Stephen Sinclair, Marcelo M. Wanderley.** "Using PureData to control a haptically-enabled virtual environment."​ In Proc. of the Pd Convention'​07,​ Montreal, August 2007. +
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-**David Birnbaum, Freida Abtan, Sha Xin Wei and Marcelo M. Wanderley.** "​Mapping and Dimensionality of a Cloth-based Sound Instrument."​ In Proc. of the 4th Sound and Music Computing Conference (SMC'​07),​ Lefkada, Greece, July 2007. +
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-**Joseph Malloch and Marcelo M. Wanderley.** "The T-Stick: From Musical Interface to Musical Instrument."​ In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME07), New York City, USA, pp. 66-69. +
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-**Doug Van Nort and Marcelo M. Wanderley.** "​Control Strategies for Navigation of Complex Sonic Spaces."​ In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME07), New York City, USA, pp. 379-382. +
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-**Stephen Sinclair and Marcelo M. Wanderley.** "​Defining a control standard for easily integrating haptic virtual environments with existing audio/​visual systems."​ In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME07), New York City, USA, pp. 209-212. +
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-**Avrum Hollinger, Virginia Penhune, Robert Zatorre, Christopher Steele, Marcelo M. Wanderley.** "​fMRI-Compatible Electronic Controllers."​ In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME07), New York City, USA, pp. 246-249. +
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-====== 2006 ====== +
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-**Alexander R. Jensenius, Rodolphe Koehly, and Marcelo M. Wanderley.** "​Building Low-Cost Music Controllers."​ In R. Kronland-Martinet,​ T. Voinier, and S. Ystad (Eds.): CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902. Berlin Heidelberg: Springer-Verlag,​ pp. 123-129, 2006. +
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-**Anne-Marie Burns and Marcelo M. Wanderley.** "​Computer Vision Method for Guitarist Fingering Retrieval."​ In Proc. of the 2006 Sound and Music Computing Conference (SMC06), Marseille, France, 2006. +
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-**Anne-Marie Burns and Marcelo M. Wanderley.** "​Visual Methods for the Retrieval of Guitarist Fingering."​ In Proc. of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 196-199, 2006. +
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-**Beinan Li, Catherine Lai, and Ichiro Fujinaga.** "​Technical issues in digitization of large online collections of phonograph records."​ In Proc. of the Archiving Conference. Ottawa, Canada, 40-4, 2006. +
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-**Bradley W. Vines, Carol Krumhansl, Marcelo M. Wanderley, and Daniel Levitin.** "​Cross-modal Interactions in the Perception of Musical Performance."​ Cognition, 101(1): 80-113, 2006. +
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-**Bradley W. Vines, Ioana Dalca, and Marcelo M. Wanderley.** "​Variation in Expressive Physical Gestures of Clarinetists."​ Presented at the 2006 International Conference on Music Perception and Cognition - ICMPC06, Bologna, Italy, August, 2006. +
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-**Catherine Lai and Ichiro Fujinaga.** "Data dictionary: Metadata for phonograph records."​ In Proc. of the International Conference on Music Information Retrieval (ISMIR), Victoria, Canada, 2006. +
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-**Catherine Lai and Ichiro Fujinaga.** "​Archiving David Edelberg’s Handel LP Collection: Production workflow and issues in data acquisition."​ In Proc. of the Archiving Conference. Ottawa, Canada, 344, 2006. +
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-**Catherine Lai and Ichiro Fujinaga.** "​Metadata data dictionary for analog sound recordings."​ In Proc. of the Joint Conference on Digital Libraries. Chapel Hill, NC., 151-5, 2006. +
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-**Cory McKay, Daniel McEnnis, and Ichiro Fujinaga.** "A large publicly accessible prototype audio database for music research."​ In Proc. of the International Conference on Music Information Retrieval (ISMIR), Victoria, Canada, 2006. +
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-**Cory McKay and Ichiro Fujinaga.** "​Style-independent computer-assisted exploratory analysis of large music collections."​ Presented at the Annual Meeting of the American Musicological Society and the Society for Music Theory (AMS/SMT), Los Angeles, USA, 2006. +
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-**Cory McKay and Ichiro Fujinaga.** "​Musical genre classification:​ Is it worth pursuing and how can it be improved?​."​ In Proc. of the International Conference on Music Information Retrieval (ISMIR), Victoria, Canada, 2006. +
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-**Cory McKay and Ichiro Fujinaga.** "​jSymbolic:​ A feature extractor for MIDI files."​ In Proc. of the International Computer Music Conference (ICMC), New Orleans, USA, 2006. +
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-**Daniel McEnnis, Cory McKay, and Ichiro Fujinaga.** "​Overview of OMEN." In Proc. of the International Conference on Music Information Retrieval (ISMIR), Victoria, Canada, 2006. +
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-**Daniel McEnnis, Cory McKay, and Ichiro Fujinaga.** "​jAudio:​ Additions and improvements."​ In Proc. of the International Conference on Music Information Retrieval (ISMIR), Victoria, Canada, 2006. +
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-**Denis Lebel and Joseph Malloch.** "The G-Spring Controller."​ In Proc. of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 85-88, 2006. +
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-**Doug Van Nort and Depalle Philippe.** "A Stochastic State-Space Phase Vocoder for Synthesis of Roughness."​ In Proc. of the Int. Conf. on Digital Audio Effects (DAFx-06), Montreal, Quebec, Canada, Sept. 18–20, 2006, pp. 177–180. +
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-**Doug Van Nort.** "​Noise/​Music and representation systems."​ Organised Sound, 11(2): 173-178, 2006. +
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-**Doug van Nort and Marcelo M. Wanderley.** "The LoM Mapping Toolbox for Max/​MSP/​Jitter."​ In Proc. of the 2006 International Computer Music Conference (ICMC06), New Orleans, USA, 2006. +
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-**Doug van Nort and Marcelo M. Wanderley.** "​Exploring The Effect of Mapping Trajectories on Musical Performance."​ In Proc. of the 2006 Sound and Music Computing Conference (SMC06), Marseille, France, 2006. +
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-**Eduardo R. Miranda and Marcelo M. Wanderley.** ​ [[http://​www.areditions.com/​cmdas/​DAS21/​cmdas021.html|New Digital Musical Instruments:​ Control and Interaction beyond the Keyboard]], A/R Editions, 2006. +
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-**Eugenia Costa-Giomi,​ Charlene Ryan, and Marcelo M. Wanderley.** "​Expressiveness in Music: The Movements of the Performer and Their Effects on the Listener."​ Presented at the 2006 International Conference on Music Percption and Cognition - ICMPC06, Bologna, Italy, August, 2006. +
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-**Gary Scavone and Julius O. Smith.** "​Modeling Acoustic Impedance with Digital Waveguides."​ In Proc. of the 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Canada, 2006. +
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-**Joseph Malloch, David Birnbaum, Elliot Sinyor, and Marcelo M. Wanderley.** "A New Conceptual Framework for Digital Musical Instruments."​ In Proc. of the 9th International Conference on Digital Audio Effects (DAFx-06) Montreal, Canada, 2006. +
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-**Louise Campbell, Vincent Verfaille, Marie-Julie Chagnon, Oswald Quek, and Marcelo M. Wanderley.** "​Different Approaches to the Understanding of Expressive Movements of Clarinetists."​ Paper presented during the Second Int. Conf. on Music and Gesture, Manchester, July, 2006. +
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-**Marcelo M. Wanderley and Bradley Vines.** "​Ancillary Gestures of Clarinettists"​. In A. Gritten and E. King, eds. Music and Gesture: New Perspectives on Theory and Contemporary Practice, Ashgate Publishing, 2006. +
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-**Marcelo M. Wanderley.** "​Instrumentos Musicais Digitais - Gestos, Sensores e Interfaces"​. In B. Ilari, ed. Em Busca da Mente Musical. Editora da Universidade Federal do Paraná, 2006. +
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-**Marcelo M. Wanderley, Joseph Malloch, David Birnbaum, Elliot Sinyor, and Julien Boissinot.** "​SensorWiki.org:​ A Collaborative Resource on Transducers for Researchers and Interface Designers."​ In Proc. of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 180-183, 2006. +
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-**Mark T. Marshall, Nils Peters, Alexander R. Jensenius, Julien Boissinot, Marcelo M. Wanderley, and Jonas Braasch.** "On the Development of a System for Gesture Control of Spatialization."​ In Proc. of the 2006 International Computer Music Conference (ICMC06), New Orleans, USA, 2006. +
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-**Mark T. Marshall and Marcelo M. Wanderley.** "​Evaluation of Sensors as Input Devices for Computer Music Interfaces."​ In R. Kronland-Martinet,​ T. Voinier, and S. Ystad (Eds.): CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902. Berlin Heidelberg: Springer-Verlag,​ pp. 130-139, 2006. +
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-**Mark T. Marshall and Marcelo M. Wanderley.** "​Vibrotactile Feedback in Digital Musical Instruments."​ In Proc. of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 226-229, 2006.  +
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-**Rodolphe Koehly, Denis Curtil and Marcelo M. Wanderley.** "Paper FSRs and Latex/​Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors."​ In Proc. of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 230-233, 2006. +
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-**Vincent Verfaille, Catherine Guastavino and Caroline Traube.** "An interdisciplinary Approach to Audio Effect Classification."​ In Proc. of the Int. Conf. on Digital Audio Effects (DAFx-06), Montreal, Quebec, Canada, Sept. 18–20, 2006, pp. 107–113. +
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-**Vincent Verfaille, Julien Boissinot, Philippe Depalle, and Marcelo M. Wanderley.** "​Ssynth:​ a Real Time Additive Synthesizer With Flexible Control."​ In Proc. of the 2006 International Computer Music Conference (ICMC'​06),​ New Orleans, USA, 2006. +
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-**Vincent Verfaille, Marcelo M. Wanderley, and Philippe Depalle.** "​Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects."​ Journal of New Music Research, 35(1):​71-93,​ 2006. +
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-**Vincent Verfaille and Marcelo M. Wanderley.** "​Mapping Strategies for Sound Synthesis, Digital Audio Effects and Sonification of Performer Gestures."​ Paper presented during the Acous. Soc. Am. Meeting, Rhodes Island, June 2006. +
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-**Vincent Verfaille, Oswald Quek, and Marcelo M. Wanderley.** "​Sonification of Musician'​s Ancillary Gestures."​ In Proc. of the 2006 International Conference on Auditory Display (ICAD'​06),​ London, England, 2006, pp. 194–7.  +
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-**Vincent Verfaille.** “Des contrôles intelligents pour les effets audionumériques adaptatifs.” In Nayla Farouki (ed.) [[http://​www.puf.com/​Book.aspx?​book_id=022298&​feature_id=map|Les chemins de la découverte]],​ Presses Universitaires de France, 2006, pp. 59–73. +
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-====== 2005 ====== +
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-**Alexander R. Jensenius, Rolf Godoy, and Marcelo M. Wanderley.** "​Developing Tools for Studying Musical Gestures within the MAX/​MSP/​JITTER Environment."​ In Proc. of the 2005 International Computer Music Conference, Barcelona, Spain, 2005. +
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-**Andrey R. da Silva, Marcelo M. Wanderley, and Gary Scavone.** "On the Use of Flute Air Jet as a Musical Control Variable."​ Proc. of the 2005 International Conference on New Interfaces for Musical Expression - NIME05, Vancouver, Canada, 2005. +
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-**Carmine Casciato, Alexander R. Jensenius, and Marcelo M. Wanderley.** "​Studying Free Dance Movements to Music."​ Presented at ESCOM 2005 Performance Matters! Conference, Porto, Portugal, September 2005 (Abstract). +
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-**Catherine Lai, Ichiro Fujinaga, and Cynthia Leive.** "​Metadata for phonograph records: Facilitating new forms of use and access to analog sound recordings."​ In Proc. of the Joint Conference on Digital Libraries (JCDL), Denver, Colorado, pp. 385, 2005. +
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-**Catherine Lai, Ichiro Fujinaga, and Cynthia Leive.** "The challenges in developing digital collections of phonograph records."​ In Proc. of the Joint Conference on Digital Libraries (JCDL), Denver, CO., pp. 332—3, 2005. +
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-**Catherine Lai, Beinan Li, and Ichiro Fujinaga.** "​Preservation digitization of David Edelberg'​s Handel LP collection: A pilot project."​ In Proc. of the International Conference on Music Information Retrieval (ISMIR), London, UK, pp. 570—5, 2005. +
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-**Cory McKay and Ichiro Fujinaga.** "​Automatic Music Classification and the Importance of Instrument Identification."​ In Proc. of the Conference on Interdisciplinary Musicology, Montreal, Canada, 2005. +
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-**Cory McKay.** "​Approaches to Overcoming Problems in Interactive Musical Performance Systems."​ In Proc. of the McGill Graduate Students Society Symposium, Montreal, Canada, 2005. +
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-**Cory McKay, Daniel McEnnis, Rebecca Fiebrink, and Ichiro Fujinaga.** "ACE: A general-purpose classification ensemble optimization framework."​ In Proc. of the International Computer Music Conference (ICMC), Barcelona, Spain, pp. 161­4, 2005. +
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-**Cory McKay and Ichiro Fujinaga.** "The Bodhidharma system and the results of the MIREX 2005 symbolic genre classification contest."​ Presented at the International Conference on Music Information Retrieval (ISMIR), London, UK, 2005. +
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-**Cory McKay, Rebecca Fiebrink, Daniel McEnnis, Beinan Li, and Ichiro Fujinaga.** "ACE: A framework for optimizing music classification."​ In Proc. of the International Conference on Music Information Retrieval (ISMIR), London, UK, pp. 42­9, 2005. +
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-**Daniel McEnnis, Cory McKay, Ichiro Fujinaga, and Philippe Depalle.** "​jAudio:​ A feature extraction library."​ In Proc. of the International Conference on Music Information Retrieval (ISMIR), London, UK, pp. 600­3, 2005 +
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-**David Birnbaum, Rebecca Fiebrink, Joseph Malloch, and Marcelo M. Wanderley.** "​Towards a Dimension Space for Musical Artifacts."​ In Proc. of the 2005 International Conference on New Interfaces for Musical Expression - NIME05, Vancouver, Canada, 2005. +
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-**Elliot Sinyor, Cory McKay, Rebecca Fiebrink, Daniel McEnnis, and Ichiro Fujinaga.** "​Beatbox classification using ACE." In Proc. of the International Conference on Music Information Retrieval (ISMIR), London, UK, pp. 672­5, 2005. +
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-**Elliot Sinyor and Marcelo M. Wanderley.** "​Gyrotyre:​ A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel."​ In Proc. of the 2005 International Conference on New Interfaces for Musical Expression - NIME05, Vancouver, Canada, 2005. +
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-**Gary P. Scavone and Perry R. Cook.** "​RtMidi,​ RtAudio, and a Synthesis ToolKit (STK) Update."​ In Proc. of the 2005 International Computer Music Conference, Barcelona, Spain, 2005. +
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-**Gary P. Scavone and Andrey R. da Silva.** "​Frequency Content of Breath Pressure and Implications for Use in Control."​ In Proc. of the 2005 International Conference on New Interfaces for Musical Expression - NIME05, Vancouver, Canada, 2005. +
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-**Marcelo M. Wanderley, Bradley Vines, Neil Middleton, Cory McKay, and Wesley Hatch.** "The Musical Significance of Clarinetists'​ Ancillary Gestures: An Exploration of the Field."​ Journal of New Music Research, vol 34, number 1, 2005. +
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-**Mondher Ayari and Stephen McAdams.** "​Polysemie et multidimensionnalite du phenomene de l'​improvisation instrumentale arabe"​. In F. Madurell (Ed.), Les pratiques d'​Žcoute individuelles,​ UniversitŽ de Paris-Sorbonne,​ 2005. +
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-**Paul Kolesnik and Marcelo M. Wanderley.** "​Implementation of the Discrete Hidden Markov Model in Max / MSP Environment."​ In Proc. of the FLAIRS 2005 Conference +
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-**Rebecca Fiebrink, Cory McKay, and Ichiro Fujinaga.** "​Combining D2K and JGAP for efficient feature weighting for classification tasks in music information retrieval."​ In Proc. of the International Conference on Music Information Retrieval (ISMIR), London, UK, pp. 510­3, 2005. +
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-**Sandrine Vieillard, Stephen McAdams, Emmanuel Bigand and Roger Reynolds.** "​Creation et perception d'une oeuvre de musique contemporaine:​ The Angel of Death de Roger Reynolds."​ In M. Borillo (Ed.), Approches cognitives de la crŽation artistique, pp. 129-153, Bruxelles, Pierre Mardaga, 2005. +
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-**Shlomo Dubnov, Stephen McAdams and Roger Reynolds.** "​Structural and Affective Aspects of Music from Statistical Audio Signal Analysis."​ Journal of the American Society of Information Science and Technology, (in press), 2005. +
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-**Vincent Verfaille, Catherine Guastavino and Philippe Depalle.** "​Perceptual Evaluation of Vibrato Models."​ In Proc. of the Conference on Interdisciplinary Musicology, Montreal, Canada, 2005. +
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-====== 2004 ====== +
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-**Adam Tindale, Ajay Kapur, George Tzanetakis, and Ichiro Fujinaga.** "​Retrieval of Percussion Gestures using Timbre Classification Techniques."​ In Proc. of the 5th International Conference on Music Information Retrieval (ISMIR 2004), Barcelona, Spain, October 10-14, 2004. +
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-**Adam Tindale, Ajay Kapur, and Ichiro Fujinaga.** "​Towards Timbre Recognition of Percussive Sounds."​ In Proc. of the 2004 International Computer Music Conference (ICMC2004), Miami, Fl., 2004. +
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-**Barbara Tillmann and Stephen McAdams.** "​Apprentissage implicite en modalitè auditive : Statistique et acoustique."​ In Revue de Neuropsychologie,​ Vol. 14, pp. 147-167, 2004. +
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-**Barbara Tillmann and Stephen McAdams.** "​Implicit Learning of Musical Timbre Sequences: Statistical Regularities Confronted with Acoustical (Dis)similarities."​ In Journal of Experimental Psychology: Learning, Memory and Cognition, Vol. 30, pp. 1131-1142, 2004. +
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-**Bénédicte Poulin-Charronnat,​ Emmanuel Bigand, Philippe Lalitte, François Madurell, Sandrine Vieillard and Stephen McAdams.** "​Effects of a Change in Instrumentation on the Recognition of Musical Materials"​. In Music Perception, 22(2):​239-263,​ 2004. +
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-**Caroline Traube and Philippe Depalle.** "​Phonetic Gestures Underlying Guitar Timbre Description."​ In Proc. of International Conference on Music Perception and Cognition Evanston, Illinois, U.S.A., August 3-7, 2004. +
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-**Caroline Traube and Philippe Depalle.** "​Timbral Analogies Between Vowels and Plucked String Tones."​ In Proc. of International Conference on Acoustics, Speech, and Signal Processing Montreal, Quebec, Canada, May 17-21, 2004. +
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-**Caroline Traube, Peter McCutcheon, and Philippe Depalle.** "​Verbal Descriptors for the Timbre of the Classical Guitar."​ In Proc. of Conference on Interdisciplinary Musicology, Graz, Austria, April 15-18, 2004. +
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-**Cory McKay.** "​Automatic Genre Classification as a Study of the Viability of High-level Features for Music Classification."​ In Proc. of the 2004 International Computer Music Conference (ICMC2004), Miami, Fl., pp. 367-70, 2004. +
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-**Cory McKay and Ichiro Fujinaga.** "​Automatic Genre Classification Using Large High-Level Musical Feature Sets." In Proc. of the 5th International Conference on Music Information Retrieval (ISMIR 2004), Barcelona, Spain, October 10-14, pp. 525-30, 2004. +
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-**Cory McKay.** ''​Issues in Automatic musical genre classification.''​ In Proc. of the McGill Graduate Students Society Symposium, 2004. +
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-**Daniel Pressnitzer,​ Alain de Cheveigné, Stephen McAdams and Lionel Collet (Eds.).** "​Auditory Signal Processing: Psychophysics,​ Physiology and Modeling."​ New York: Springer-Verlag,​ 2004. +
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-**Diana Young and Ichiro Fujinaga.** "​Aobachi:​ A new interface for Japanese drumming."​ In Proc. of the 2004 International Conference on New Interfaces for Musical Expression - NIME, Hamamatsu, Japan, June 3-5, 2004. +
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-**Doug Van Nort, Marcelo M. Wanderley and Philippe Depalle.** "On the Choice of Mappings based on Geometrical Properties."​ Proc. of the 2004 International Conference on New Interfaces for Musical Expression - NIME, Hamamatsu, Japan, June 3-5, 2004. +
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-**Francois Thibault and Philippe Depalle.** "​Adaptive Processing of Singing Voice Timbre."​ In Proc. of the IEEE Canadian Conference on Electrical and Computer Engineering (CCECE 2004), The Niagara Falls, Ontario, Canada, May 2-5, 2004. +
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-**Gary Scavone and Marcelo Wanderley.** "The Music Technology Program at McGill University."​ In Proc. of the 2004 International Computer Music Conference (ICMC2004), Miami, Fl., 2004. +
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-**Guillaume Lemaitre, Patrick Susini, Suzanne Winsberg and Stephen McAdams.** "A Method to Assess the Ecological Validity of Laboratory-Recorded Car Horn Sounds."​ In Proc. of the SFA/DAGA Conference, Strasbourg, Société Française d'​Acoustique,​ Paris [CD-ROM]. 2004. +
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-**Ian Knopke.** "​AROOOGA:​ An Audio Search Engine for the World Wide Web." In Proc. of the 2004 International Computer Music Conference (ICMC2004), Miami, Fl., 2004. +
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-**Ian Knopke.** "​Sound,​ Music and Textual Associations on the World Wide Web." In Proc. of the 5th International Conference on Music Information Retrieval (ISMIR 2004), Barcelona, Spain, October 10-14, 2004. +
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-**Ichiro Fujinaga and Susan Weiss.** "​Music."​ In Blackwell Companion to Digital Humanities, eds. S. Schreibman, R. Siemens, and J. Unsworth, Oxford: Blackwell Publishing, pp. 97-107, 2004. +
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-**Ichiro Fujinaga.** "Staff detection and removal."​ In Visual Perception of Music Notation, ed. S. George, Hershey, PA: Idea Group Inc, pp. 1-39, 2004. +
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-**Manuel Peinado, Bruno Herbelin, Marcelo Wanderley, Benoit Le Callennec, Ronan Boulic, Daniel Thalmann.** "​Towards Configurable Motion Capture with Prioritized Inverse Kinematics."​ In Proc. of the Third International Workshop on Virtual Rehabilitation (IWVR2004), EPFL, Lausanne, Switzerland,​ September 16 and 17, 2004. +
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-**Marcelo M. Wanderley and Philippe Depalle.** "​Gestural Control of Sound Synthesis."​ Proc. of the IEEE, vol. 92, No. 4 (April), Special Issue on Engineering and Music - Supervisory Control and Auditory Communication,​ G. Johannsen, Ed., pp. 632-644, 2004. +
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-**Mark Zadel and Ichiro Fujinaga.** "Web Services for Music Information Retrieval."​ In Proc. of the 5th International Conference on Music Information Retrieval (ISMIR 2004), Barcelona, Spain, October 10-14, 2004. +
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-**Michael Droettboom and Ichiro Fujinaga.** "​Micro-level Groundtruthing Environment for OMR." In Proc. of the 5th International Conference on Music Information Retrieval (ISMIR 2004), Barcelona, Spain, October 10-14, 2004. +
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-**Paul Kolesnik and Marcelo Wanderley.** "​Recognition,​ Analysis and Performance with Expressive Conducting Gestures."​ In Proc. of the 2004 International Computer Music Conference (ICMC2004), Miami, Fl., 2004. +
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-**Patrick Susini and Stephen McAdams.** "​Temporal Asymmetry in Loudness."​ In Proc. of the SFA/DAGA Conference, Strasbourg, Société Française d'​Acoustique,​ Paris [CD-ROM], 2004. +
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-**Patrick Susini, Stephen McAdams, Suzanne Winsberg, Ivan Perry, Sandrine Vieillard and Xavier Rodet.** "​Characterizing the Sound Quality of Air-conditiong Noise."​ Applied Acoustics, Vol. 65, pp. 763-790, 2004. +
- +
-**Perry Cook and Gary Scavone.** "The Synthesis ToolKit (STK) in C++." in Audio Anecdotes: A Cookbook of Audio Algorithms and Techniques, edited by Ken Greenbaum, A.K. Peters, 2004. +
- +
-**Philippe Lalitte, Emmanuel Bigand, Bènèdicte Poulin-Charronnat,​ Stephen McAdams, Charles Delbè and Daniel D'​Adamo.** "The perceptual structure of thematic materials in The Angel of Death."​ In Music Perception, 22(2):​265-296,​ 2004.  +
- +
-**Stephen McAdams, Bradley Vines, Sandrine Vieillard, Bennett Smith and Roger Reynolds.** "​Influences of Large-Scale Form on Continuous Ratings in Response to a Contemporary Piece in a Live Concert Setting."​ In Music Perception, 22(2):​297-350,​ 2004. +
- +
-**Stephen McAdams, Antoine Chaigne and Vincent Roussarie.** "The Psychomechanics of Simple Sound Sources: Material Properties of Impacted Bars." Journal of the Acoustical Society of America, Vol. 115, pp. 1306-1320, 2004. +
- +
-**Stephen McAdams, Philippe Depalle and Eric Clarke.** "​Analyzing Musical Sound"​. In E. Clarke and N. Cook (Eds.), Empirical Musicology: Aims, Methods, Prospects, Oxford University Press, New York, pp. 157-196, 2004. +
- +
-**Stephen McAdams, Sandrine Vieillard, Olivier Houix and Roger Reynolds.** "​Perception of Musical Similarity among Contemporary Thematic Materials in Two Instrumentations."​ In Music Perception, 22(2):​207-237,​ 2004. +
- +
-**Stephen McAdams and Marc Battier (Eds.).** "​Perception and Creation of a Contemporary Musical Work: The Angel of Death by Roger Reynolds."​ Paris, Ircam-Centre Pompidou [E-book], 2004. +
- +
-**Stephen McAdams.** "​Problem-solving strategies in music composition:​ A case study."​ Music Perception, 21(3):​391-430,​ 2004. +
- +
-**Vincent Verfaille and Philippe Depalle.** "​Adaptive Effects Based on STFT, Using a Source-Filter Model."​ In Proc. of the 7th International Conference on Digital Audio Effects (DAFx'​04),​ Naples, Italy, 2004. +
- +
-====== 2003 ====== +
- +
-**Andy Hunt, Marcelo M. Wanderley, and Matt Paradis.** "The Importance of Parameter Mapping in Electronic Instrument Design."​ Journal of New Music Research, 32(4):​429-440,​ 2003. +
- +
-**Brad Vines, Marcelo M. Wanderley, Carol Krumhansl, Regina Nuzzo, and Daniel Levitin.** "​Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?",​ In A. Camurri and G. Volpe (eds.) Gesture-Based Communication in Human-Computer Interaction - 5th International Gesture Workshop, GW 2003, Genova, Italy. Springer-Verlag,​ 2004, pp. 468-478. +
- +
-**Caroline Traube, Philippe Depalle and Marcelo M. Wanderley.** "​Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information."​ In Proc. of the 2003 International Conference on New Interfaces for Musical Expression - NIME03, Montreal, Canada, pp. 42-47. +
- +
-**Caroline Traube and Philippe Depalle.** "​Deriving the Plucking Point Location along a Guitar String from the Least-square Estimation of a Comb Filter Delay."​ In Proc. of CCECE 2003, Canadian Conference on Electrical and Computer Engineering,​ Montreal, Canada, 4-7 May 2003. +
- +
-**Gary P. Scavone.** "​Modeling Vocal-Tract Influence in Reed Wind Instruments."​ Proc. of the 2003 Stockholm Music Acoustics Conference, Stockholm, Sweden, pp. 291-294. +
- +
-**Gary P. Scavone.** "THE PIPE: Explorations with Breath Control."​ In Proc. of the 2003 Conference on New Instruments for Musical Expression (NIME-03), Montreal, Canada, pp. 15-18. +
- +
-**Jenn Riley and Ichiro Fujinaga.** "​Recommended best practices for digital image capture of musical scores."​ In OCLC Systems and Services, 19(2):62-9, 2003. +
- +
-====== 2002 ====== +
- +
-**Andy Hunt and Marcelo M. Wanderley.** "​Mapping Performer Parameters to Synthesis Engines."​ Organised Sound, vol. 7 number 2, August 2002, 97-108. +
- +
-**Andy Hunt, Marcelo M. Wanderley, and Matt Paradis.** "The Importance of Parameter Mapping in Electronic Instrument Design."​ In Proc. of the 2002 International Conference on New Interfaces for Musical Expression (NIME-02), Dublin, Ireland, May 2002, pp. 149-154. +
- +
-**Francois Thibault and Philippe Depalle.** "OLW: An Extension to MSP for the Implementation of Overlap-Windowing Techniques."​ In Proc. of the 2002 International Computer Music Conference, Goteborg, Sweden. +
- +
-**Karl MacMillan, Michael Droettboom, and Ichiro Fujinaga.** "​Gamera:​ Optical Music Recognition in a New Shell."​ In Proc. of the 2002 International Computer Music Conference, Goteborg, Sweden. +
- +
-**Marcelo M. Wanderley - Guest editor.** Mapping Strategies in Real-time Computer Music. Organised Sound vol. 7, number 2, August 2002. +
- +
-**Marcelo M. Wanderley and Nicola Orio.** "​Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI". Computer Music Journal, 26(3), Fall 2002, pp. 62-76. +
-** +
-Marcelo M. Wanderley.** "​Quantitative Analysis of Non-Obvious Performer Gestures."​ In I. Wachsmuth and T. Sowa (eds.) Gesture and Sign Language in Human-Computer Interaction. Springer Verlag, 2002, pp. 241-253. +
- +
-====== 2001 ====== +
- +
-**Geoff Martin, Philippe Depalle, Wieslaw Woszczyk, Jason Corey, and Rene Quesnel.** "A Hybrid Model For Simulating Diffused First Reflections In Two-Dimensional Synthetic Acoustic Environments."​ In Proc. of the AES 19th International Conference on Surround Sound. Schloss Elmau, Germany, June 21-24, 2001. +
- +
-**Marcelo M. Wanderley and Philippe Depalle.** "​Gesturally Controlled Digital Audio Effects."​ In Proc. of the COST-6 Conference on Digital Audio Effects (DAFx-01). Limerick, Ireland - December 2001, pp. 165-169. +
- +
-**Marcelo M. Wanderley and Thomas Helie.** "​Detailed Study on the Expressive Movements of Acoustic Instrument Performers with Applications to Human-Computer Interaction in Complex Multiparametric Contexts."​ In 3rd Conference on Sensorimotor Controls in Men and Machines. Marseille, France - October 2001. +
- +
-**Marcelo M. Wanderley.** "​Gestural Control of Music."​ in International Workshop Human Supervision and Control in Engineering and Music. Kassel, Germany - September 2001, pp. 101-130. +
- +
-====== 1999 ====== +
- +
-**Marcelo M. Wanderley and Philippe Depalle.** "​Contrôle gestuel de la synthèse sonore."​ In H. Vinet and F. Delalande (eds.) Interfaces homme-machine et création musicale. Editions Hermès, 1999. +
- +
-**Stephane Rossignol, Philippe Depalle, Joel Soumagne, Xavier Rodet, and Jean-Luc Colette.** '​Vibrato:​ Detection, estimation, extraction, modification."​ In Proc. of the COST-G6 Workshop on Digital Audio Effects (DAFx-99). Trondheim, Norway, December 9-11, 1999. +
- +
-**Stephane Rossignol, Xavier Rodet, Joel Soumagne, Jean-Luc Colette, and Philippe Depalle.** "​Automatic Characterisation of Musical Signals: Feature Extraction and Temporal Segmentation."​ Journal of New Music Research Vol. 28, N. 4, December 1999, pp 281-295. +
- +
-**Suzanne Winsberg and Philippe Depalle.** "​Applications of Principal Differential Analysis to Data Reduction and Extraction of Musical Features of Sound."​ In Proc. of International Computer Music Conference (ICMC'​99). Beijing, China, October 22-28, 1999. +
- +
-====== Other Publications ====== +
- +
-  * Prof. Depalle'​s [[http://​www.ircam.fr/​equipes/​analyse-synthese/​listePublications/​articlesDepalle/​index.html|other publications can be found here]]. +
- +
-  * Prof. Fujinaga'​s [[http://​music.mcgill.ca/​~ich/​research/​biblio.html|other publications can be found here]]. +
- +
-  * Prof. Scavone'​s [[http://​music.mcgill.ca/​~gary/#​Publications|other publications can be found here]]. +
- +
-  * Prof. Wanderley'​s [[http://​www.ircam.fr/​equipes/​analyse-synthese/​wanderle/​articles.html|other publications before 2001 can be found here]].  +
- +
-====== Publications by Former Music Technology Members ====== +
- +
- +
-**Zack Settel, Bruce Pennycook, and Wieslaw Woszczyk.** "​Networking Audio and Music using Internet 2..." Journal of the Audio Engineering Society, 1999 vol 47, no. 4. pp.300-310; 1999 +
- +
-**Zack Settel and Cort Lippe.** "​Low-dimensional audio-rate contol of FFT-based processing."​ In Proc. of the 7th Biennial Symposium on the Arts and Technology. Connecticut College. +
- +
-**Zack Settel.** "​Real-time Frequency-Domain Audio Signal Processing on the Desktop using MSP." in Proc. of the 1998 International Computer Music Conference. Ann Arbor: International Computer Music Association,​ 1998. +
- +
-**Zack Settel, Bruce Pennycook and Wieslaw Woszczyk.** Networking Audio and Music using Internet2 and Next-Generation Internet Capabilities. White paper, produced by the Audio Engineering Society (AES). Technology report# TC-NAS 98/1, Septemeber 1998. +
- +
-**Zack Settel and Geoff Martin**, "Sound Source Localization in Multimedia Applications,"​ Journal for the Acoustical Society of America, vol. 104, no. 3, pt. 2 (September 1998). +
- +
-**Bruce Pennycook** "Live Electroacoustic Music: Old problems, New Solutions."​ Journal of New Music Research. vol. 26, no. 1 (Mar 1997), p. 70-95. +
- +
-**Tang-Chun Li**, Tools for Conducting Seminars on MBone.published electronically,​ 1996. +
- +
-**Mark Ballora.** "​Current Stereophonic Developments and their Musical Implications."​ in Proc. of the 4th International Conference of Music Perception and Cognition. Montreal, August 1996. +
- +
-**Jason D. Vantomme**, "​Music,​ Mind and Machine: Studies in Computer Music, Music Cognition and Artificial Intelligence."​ Computer Music Journalvol. 19, no. 2 (summer 1995): p. 107-110. +
- +
-**Jason D. Vantomme**, "​Flora."​ Computer Music Journalvol. 18, no. 3 (fall 1994) p. 89-91. +
- +
-**Jason D. Vantomme**, "​Understanding Music with AI: Perspectives on Music Cognition"​ Computer Music Journalvol. 18, no. 1 (spring 1994) p. 81-83. +
- +
-**Bruce Pennycook.** "La musique électroacoustique en concert: Vieux problèmes, nouvelles solutions."​ (Electroacoustic Music in Concert: Old Problems, New Solutions). Circuit: Revue nord-américaine de musique du XXè- sièclevol. 4, no. 1-2 (1993): p. 93-102. +
- +
-**Bruce Pennycook, Dale R. Stammen and Debbie Reynolds.** "​Toward a Computer Model of a Jazz Improviser."​ in Proc. of the 1993 International Computer Music Conference,​p. 228-231. San Francisco: International Computer Music Association,​ 1993. +
- +
-**Miller Puckette and Zack Settel.** "​Nonobvious Roles for Electronics in Performance Enhancement."​ In Proc. of the 1993 International Computer Music Conference,​p. 134-137. San Francisco: International Computer Music Association,​ 1993. +
- +
-**Zack Settel, Terry Holton, and David Zicarelli.** "​Remote Control Applications using 'Smart Controllers'​ in Versatile Hardware Configurations."​ in Proc. of the 1993 International Computer Music Conference,​p. 156-159. San Francisco: International Computer Music Association,​ 1993. +
- +
-**Zack Settel and Cort Lippe.** "​FFT-based Resynthesis for Real-time Transformation of Timbre."​ In Atti del X Colloquio di Informatica Musicale, p. 214-224. Milano: Associazione di Informatica Musicale Italiana, 1993. +
- +
-**Gilbert A. Soulodre and Dale R. Stammen.** "A Binaural Recording and Playback System for the Reproduction of Virtual Concert Halls."​ in Proc. of the 1993 International Computer Music Conference,​p. 114-117. San Francisco: International Computer Music Association,​ 1993. +
- +
-**Dale R. Stammen and Bruce Pennycook.** "​Real-time Recognition of Melodic Fragments using the Dynamic Timewarp Algorithm."​ in Proc. of the 1993 International Computer Music Conference,​p. 232-235. San Francisco: International Computer Music Association,​ 1993. +
- +
-**Ichiro Fujinaga, Bo H. Alphonce, Bruce Pennycook and Glendon R. Diener.** "​Interactive Optical Music Recognition."​ In Proc.: International Computer Music Conference, San Jose, California, October 14-18, 1992,p. 117-120. San Francisco: International Computer Music Association,​ 1992. +
- +
-**Bruce Pennycook** "​Composers and audiences: New relationships in the Technological Age." in Companion to Contemporary Musical Thought, p. 555-564. London: Routledge, 1992. +
- +
-**Sean Terriah, Justine Sergent, Eric Zuck, and Brennan MacDonald.** "​Distributed Neural Network Underlying Musical Sight-reading and Keyboard Performance."​ Sciencevol. 257, no. 5066 (July 1992): p. 106-109. +
- +
-**Ichiro Fujinaga, Bo H. Alphonce, Bruce Pennycook and Kharim Hogan.** "​Optical Music Recognition:​ Progress Report."​ in Proc.: International Computer Music Conference, Montreal, 1991, p. 66-73. +
- +
-**Ichiro Fujinaga, Bruce Pennycook and Bo Alphonce.** "The Optical Music Recognition Project."​ Computers in Music Researchvol. 3 (fall 1991): p. 139-142. +
- +
-**Cort Lippe, Zack Settel, Miller Puckette and Eric Lindemann.** "The IRCAM Musical Workstation:​ A Prototyping and Production Tool for Real-time Computer Music."​ In IX Colloquium on Musical Informatics/​IX Colloquio di Informatica Musicale,p. 210-214. Genova: Associazione di Informatica Musicale Italiana, 1991. +
- +
-**Bruce Pennycook and Chris Lea.** "A Parallel Processing Development system for MAX." in Proc.: International Computer Music Conference, Montreal, 1991, p. 229-233. Montreal: McGill U., 1991. +
- +
-**Laurie Radford.** "​Pacific Rim." Contact (Communauté électroacoustique canadienne/​Canadian Electroacoustic Community) vol. 5 no. 1 (Oct. 1991): p. 29-31. +
- +
-**Colin Banger and Bruce W. Pennycook.** "​Gcomp:​ Graphic Control of Mixing and Processing."​ Computer Music Journal vol. VII/4 (winter 1983): p. 33-39. +
- +
-**Ichiro Fujinaga, Bo Alphonce and Bruce Pennycook.** "​Issues in the Design of an Optical Music Recognition System."​ In Proc.: 1989 International Computer Music Conference. San Francisco, CA., p. 113-116. Computer Music Association,​1989. +
- +
-**John Roeder and Keith Hamel.** "A General-purpose Object-oriented System for Musical Graphics."​ in Proc.: 1989 International Computer Music Conference, p. 260-263. San Francisco, CA: Computer Music Association,​ 1989. +
- +
-**Bruce Pennycook.** "​Language and Resources: A New Paradox."​ In The Language of Electroacoustic Music,​119-37 London: Macmillan, 1986.+
  
-**Bruce Pennycook.** "​Canadian Music of the Twentieth Century."​ Canadian University ​Music Reviewvol. 2 (1981): p. 233-236.+  ​[[https://​www.mcgill.ca/​mpcl/​publications/​|Publications from the Music Perception and Cognition Laboratory ​(MPCL)]]
  
-**Bruce Pennycook**,​ "​Speeches for Dr. Frankenstein:​ an Orchestral Approach to Music Synthesis."​ Canadian University Music Review/​Revue de Musique des Universites Canadiennes,​ vol. IV (1983): 196-203. ​ 
publications.1514563134.txt.gz · Last modified: 2017/12/29 15:58 by ich
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